{"product_id":"colors-of-film","title":"Colors of Film","description":"\u003cp\u003eBy Charles Bramesco \u003c\/p\u003e\n\u003cp\u003eHardcover \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e“What’s so wonderful about Bramesco’s book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.” —Brian Tallerico, Editor of RogerEbert.com\u003cbr\u003e\u003cbr\u003eTaking you on from the earliest feature films to today, \u003ci\u003eColors of Film\u003c\/i\u003e introduces 50 iconic movies and explains the pivotal role that color played in their success.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe use of color is an essential part of film. It has the power to \u003c\/span\u003e\u003cb\u003eevoke powerful emotions\u003c\/b\u003e\u003cspan\u003e, provide \u003c\/span\u003e\u003cb\u003esubtle psychological symbolism\u003c\/b\u003e\u003cspan\u003e and act as a\u003c\/span\u003e\u003cb\u003e narrative device\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWes Anderson’s pastels\u003c\/b\u003e\u003cspan\u003e and muted tones are aesthetically pleasing, but his careful use of color also acts as a shorthand for interpreting emotion. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eMoonlight\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e(2016,\u003c\/span\u003e\u003ci\u003e dir. \u003c\/i\u003e\u003cspan\u003eBarry Jenkins) cinematographer (James Laxton) and colorist (Alex Bickel) spent 100 hours fine-tuning the saturation and hues of the footage so that the use of color evolved in line with the growth of the protagonist through the film. And let’s not forget \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSchindler’s List \u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e(1993,\u003c\/span\u003e\u003ci\u003e dir. \u003c\/i\u003e\u003cspan\u003eSteven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a\u003c\/span\u003e\u003cb\u003e powerful symbol of life, survival and death.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003eColors of Film\u003c\/i\u003e\u003cspan\u003e, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been \u003c\/span\u003e\u003cb\u003eused in extraordinary ways\u003c\/b\u003e\u003cspan\u003e. Using infographic color palettes, and stills from the movies, this is a \u003c\/span\u003e\u003cb\u003elively and fresh approach to film\u003c\/b\u003e\u003cspan\u003e for cinema-goers and color lovers alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe also explores in fascinating detail how the development of t\u003c\/span\u003e\u003cb\u003eechnologies have shaped the course of modern cinema\u003c\/b\u003e\u003cspan\u003e, from how the \u003c\/span\u003e\u003cb\u003efeud between Kodak and Fujifilm\u003c\/b\u003e\u003cspan\u003e shaped the color palettes of the 20th Century's greatest filmakers, to how the advent of computer technology is creating a \u003c\/span\u003e\u003cb\u003edigital wonderland \u003c\/b\u003e\u003cspan\u003efor modern directors in which \u003c\/span\u003e\u003cb\u003eanything is possible.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e​\u003c\/b\u003e\u003cspan\u003eFilled with \u003c\/span\u003e\u003cb\u003esparkling insights and fascinating accounts from the history of cinema, \u003c\/b\u003e\u003ci\u003eColors of Film \u003c\/i\u003e\u003cspan\u003eis an indispensable guide to one of the most important visual elements in the medium of film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hachette Book Group","offers":[{"title":"Default Title","offer_id":52404516782369,"sku":null,"price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0787\/1011\/2545\/files\/IMG-0316.jpg?v=1772227868","url":"https:\/\/www.elmsidegoods.com\/products\/colors-of-film","provider":"Elmside Goods ","version":"1.0","type":"link"}